May 21, 2014
 



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      "Zion Atmosphere and Light," by Ron Rencher, oil, 11 x 14 in. 


Susan Hallsten McGarry collaborated with Jean Stern and Terry Lawson Dunn for Art of the National Parks: Historic Connections -- Contemporary Interpretations, an award-winning book.
Artists Love Nature, But Why?
A new, award-winning book explores the relationship between artists and the beauty found in our national parks. This is a book that works to explain why painters and sculptors feel drawn to nature. [read more]





Debra Joy Groesser's view at her favorite place to paint.

My Favorite Place to Paint: Debra Joy Groesser
As many in the world of plein air painting know, Debra Joy Groesser is a very pleasant person with whom to have a conversation. But how many know that her favorite place to paint is one that speaks to her of drama, shadow, powerful beauty, and a bit of danger? [read more]




"Fall Colors," by Zeke Garcia, 2013, oil, 12 x 24 in.

Painting Silvery Light
Zeke Garcia went out into the field, set up to paint, and discovered that he didn't have a tube of white. The result was an adaption that worked beautifully. [read more]




"Sycamores," by Mike Hernandez, 2014, gouache on watercolor block, 6 x 6 in.
Change Your Brush, Change Your Look
Los Angeles artist Mike Hernandez switched from rounds to flats and found that a change in his brush shape meant interesting developments in his paintings. [read more]





"Hamilton Fort -- February," by Brad Holt, oil, 9 x 12 in.

Why This Works: Playing With Weather
In this series, plein air painter and instructor Jeanne Mackenzie takes a look at new paintings by contemporary artists and points out why they succeed as painted images. This week, Brad Holt's "Hamilton Fort -- February."
[read more]





"Marin Sunset," by Aaron Foppe, oil on primed wood, 8 x 10 in. Collection of Brent Hermsmeyer

Foppe Swap
You don't have to have a lot of money to own original artwork, particularly if you are a painter. Many artists trade a painting for one they admire by a contemporary. Aaron Foppe says it's a cozy situation. [read more]




Fred Doloresco dragged his studio easel outside to handle a large canvas, and used his French easel to hold his palette and supplies. Photo by Faye Schlatter
Turning a French Easel Into a Taboret
Fred Doloresco decided to go big. So he took two easels out into the field. [read more]
 

 

"New Year's Eve," by Damien Gonzales, oil on mounted linen, 12 x 16 in. Best of Show at the Plein Air Painters of New Mexico's Annual Juried Show, recently on view at Gary Kim Gallery in Santa Fe
Winners in New Mexico
The Plein Air Painters of New Mexico (PAPNM) recently announced the winners of their annual juried exhibition, selected by noted artist Arturo Chavez. [read more]




"Hood River Rails," by Aimee Erickson, 2013, oil. First Place in the 2013 Pacific Northwest Plein Air Exhibition.
OPPORTUNITY: Columbia River Gorge
The 2014 Pacific Northwest Plein Air Exhibition is slated for September 2-4 in Hood River, Oregon. [read more]




"Sunrise," by Kelli Folsom, 2014, oil on panel, 8 x 10 in.
Parting Shot: 30 Sunrises
Oklahoma artist Kelli Folsom is going to paint 30 sunrises in 30 days. Starting.... Now! [read more]


 
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